Wednesday
a.
i'm not good at compliments
or saying i love you
or saying anything at all,
but my first memory is with you,
and i have nineteen years of love
bottled up in my body,
right on stand-by for when
you get home
and i don't think a lot of words
are necessary because
our bodies may have grown taller
and our hearts may have grown smaller,
but you're still my lifeline
and you're still the rocks i cling to
in the storm.
(in class we had to say
who shaped us into who we were,
and i showed a picture of you
and me.
because you guided me down the road,
and even if you no longer hold my hand,
i know you'll still be waiting at the end,
like a lighthouse.)
they say blood is thicker than water,
i'm not sure it matters,
and i'm not sure it's true,
but you can curse everything you are
and your birth will still be the best thing
that's ever come from them,
and i'm sorry you waited so long
for me to tell you.
maybe a year from now,
you won't come home anymore,
and all we'll have is weekly messages
and wish-you-wells.
but if there's one constant, it's us
so don't worry.
this is nineteen years of stone,
of brick house love and concrete worship,
and no miles, or time between us
can tear it down.
or saying i love you
or saying anything at all,
but my first memory is with you,
and i have nineteen years of love
bottled up in my body,
right on stand-by for when
you get home
and i don't think a lot of words
are necessary because
our bodies may have grown taller
and our hearts may have grown smaller,
but you're still my lifeline
and you're still the rocks i cling to
in the storm.
(in class we had to say
who shaped us into who we were,
and i showed a picture of you
and me.
because you guided me down the road,
and even if you no longer hold my hand,
i know you'll still be waiting at the end,
like a lighthouse.)
they say blood is thicker than water,
i'm not sure it matters,
and i'm not sure it's true,
but you can curse everything you are
and your birth will still be the best thing
that's ever come from them,
and i'm sorry you waited so long
for me to tell you.
maybe a year from now,
you won't come home anymore,
and all we'll have is weekly messages
and wish-you-wells.
but if there's one constant, it's us
so don't worry.
this is nineteen years of stone,
of brick house love and concrete worship,
and no miles, or time between us
can tear it down.
Sunday
relentlessly
i remember a time
when i was the first thing on your mind
the days my head didn’t work
the way it should.
i remember when you’d tell me everything
in plumes of smoke and shared coffee cups
whispering to me, you know,
i don’t think i’ve ever felt this close to anyone
and as we inhaled, and as we exhaled,
i couldn’t help but feel
that was true.
i remember walking down the street with you,
sitting across the dinner table from you, saying,
i feel like you’re the only anchor i have left
in the world.
(not saying, please
please don’t leave.)
but there comes a time when someone
reliable comes along, so the chair is left empty
and the doorbell stops ringing.
i didn’t understand when i called you my anchor, it meant
i was holding you down in the darkness with me.
but i see now -- you’ve let the light in.
the last time we spoke was three weeks ago.
i remember a time when you admired me.
i can only assume after knowing me so long,
you’ve realized
there’s nothing left to admire.
(i stumble and miss my train
you kiss other people’s cheeks
and i miss you every day,
relentlessly.)
Friday
home
if someone asked me to compose a list
of things that make me want to breathe,
i’d seal my lips shut and point my finger
at you.
(i’d say that you’re my pen and
paper.)
i could name so many things,
could name iced coffees; or the way snow looks
when no one’s stepped on it yet.
i could name canals and kisses on cheeks,
melted chocolate and freshly mowed grass,
sleepy good mornings and whispered good nights.
but if someone asked me to compose a list,
i’d point in your direction, say:
“if you really want to know.
(what drains the fear from my bones,
puts colour back where it is)
if you really want to know; it’s her.”
because i don’t always appreciate
sunsets and sometimes
i prefer my world in black and white
but if anyone could, it’s you --
(you’re the rope that pulls me out of the sand,
when the ground swallows me up, your hand
will pull me back into my own head)
so if someone asked me to compose a list,
i’d accept the pen and just write down your name
because you manage to fix me
every day.
(because you feel like home to me.)
Tuesday
aim
i am furious so easily these days
i’m afraid i’ve started to grow
razorblades in my palms and a dagger
beneath my tongue that aims and
lashes out, laced with poison
i've known you for so long; i know
just where your skin is softestwhere it breaks the easiest and
like a domino, i can make you collapse
with a single flick of my hand.
these days i wake up with an urge
to set fire to the things i hold close
just to see how long it takes for them
to turn to molten ashes; for them to
run and never look back.
each morning i see your picture
and wonder if today is the day
you finally see how dark and horrible
i am; if today is the day you see
how much time you've wasted
on a lost cause.
wednesdays
on wednesdays she looks translucent
her eyes
reflecting everything she sees
you have to
look twice to notice her
it’s on wednesdays
her bones turn brittle
her feet
sinking deep into the ground
she leaves
dust when she walks
on wednesdays
she counts down to midnight
coils up as
her hands turn ice blue
she closes
her eyes and sees snow
it’s on wednesdays
the mirrors are empty
and she
leaves no fingerprints behind
she’s
stopped touching what she can’t feel
on wednesdays
she’s acting out a half-life
just a ghost, waiting to be roused
after a day
of chasing shadows
thursdays
are the ones she breathes
and touches
until her skin is blistered
red, like
the blood pumping through her limbs
(thursdays
are the reminders
you’re
alive, they scream.
you’re
alive.)
Sunday
colour
it's messy inside my head
a lot of effort goes into looking this composed,
but drop by at three a.m. and
you'll see the cracks
it's the stains i've tried to get rid of
but they just keep coming back
and in the daylight you'd paint me
adequate - i blend in rather well
but when the darkness comes
and the quiet seeps in through the floor boards
i lose the keys and the doors start rattling
(l e t m e o u t l e t m e o u t)
it's messy inside my head
there's things here you don't want to see and
thoughts you don't want to hear
what happened to me, i ask
in the eye of the storm when there is
a stillness in my limbs and a lull
in the back of my throat
wasn't i full of colour, i think
didn't they think me full of promise
is this all there is, i wonder
is this all there is
there used to be a time
when i spent my days dreaming
instead of locking myself away
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